Friday, July 21, 2017

Pat Mills & Kevin O'Neill - Serial Killer

Its been quite a long time since I've read a novel quite this weird. And I mean weird in a good way. Crime fiction about serial killers can easily fall into cliche, instead Pat Mills and Kevin O'Neill's new novel Serial Killer creates a whole new set of cliches to be emulated by authors for years to come.

Both authors have been at the heart of some of the most adventurous, challenging and fascinating graphic and comic writing of the British post-war period. Mills is well described as the "Godfather of British Comics" on the back of this book. O'Neill has played a similar central role in the graphics novel industry. So their first collaborative novel ought to be something special and it's certainly different.

Given the background of the authors readers will not be surprised to find that the slightly alternative reality Britain that it is set in focuses on Dave Maudling, a comic book writer of some skill, whose work for a series of unsavoury publishing houses has given him a jaundiced view of the world. The off the wall titles he and his colleagues work on, such as the Caning Commando, The Spanker and Feral Meryl are all glorious spoofs of the sort of comic that abounded in the late 1970s. Mill himself was responsible for one of the greatest war comics of all time, Charley's War, but the spoofs here are of those second rate comics that saw every German as a Nazi and each Japanese soldier as a yellow-eyed maniac who'd run at the first sign of some British steel.

Maudling's mother is murdered during his childhood. She then visits Dave in the 1970s and enlists his help in finding her killer. At the same time, Dave is also trying to become a killer himself. He enacts revenge on the world that has left him embittered and alone by trying to encourage children to kill each other by inserting dangerous ideas into the most popular comics. One of the clever things about this book is it shows how the casual violence, sexism, racism and homophobia of the post-war period helped shape a generation of men whose lives were causally violent, sexist, racist and homophobic.

Dave's sexual obsession with fur, his bizarre home life and his inability to function properly around other people is the backdrop to what seems to be at least a temporary descent into madness. That said, everyone in the 1970s seems mad from this distance and the larger than life lunatics that inhabit Mill's and O'Neill's world only serve to highlight how far we have come, and how much further we have to go.

One particular aspect to this is the way that the authors highlight precisely how bad workplace sexism and homophobia was before social movements helped make it quite so unacceptable. In fact those that cry today about political correctness might do well to reflect on precisely why it was the women's  and gay liberation movements became so radical. Sadly Maudling has a lot to learn in this regard.

It is difficult to review this book without giving away too much of the novel. If you love the comic genre, like a lot of knowing references to the 1960s and 1970s (not just to comics either), hated those terrible comics they made girls read about boarding schools and aren't phased by novels that mingle the living dead with sexually ambiguous characters, then this is definitely for you. At times it's laugh out loud funny, at others its quite perplexing. You'll either like it a lot, or never get past chapter two.

Related Reviews

Newsinger - The Dredd Phenomena: Comics and Contemporary Society

Tuesday, July 18, 2017

Reg Groves - Sharpen the Sickle! The History of the Farm Workers' Union

This lively account of the history of British agricultural trade unionism is written by one the UK left's most interesting characters. Reg Groves was a Communist who wrote briefly for the Daily Worker but ended up breaking with them and becoming influenced by Trotskyism. Eventually he became well known as a Christian socialist, remaining true to the socialist cause for his whole life he made links with Trotskyists from the new left in the 1970s.

He wrote, or jointly authored, a number of popular histories of radical movements. I reviewed his book (jointly written with Philip Lindsay) on the Peasants' Revolt of 1381 previously on this blog. They are all aimed at a mass audience and are often entertaining reading. A note of caution though, Groves on occasion is a little lose his historical accuracy and books of his like Sharpen the Sickle! have no footnotes, so those reading them for research might want to have other sources to hand.

Nonetheless Sharpen the Sickle! is a powerful read. It begins with early attempts at trade unionism in the countryside, briefly touching on the Tolpuddle Martyrs before discussing the struggle by Joseph Arch to found and maintain a national union in the early 1870s. Groves is found of focusing on key individuals in the movement - reflecting a close connection with many of them. But the doesn't ignore the forgotten rank and file, and indeed, where possible he celebrates some of the smallest struggles in order to put rural trade unionism into context.

The defeat of Arch's union in the mid 1870s, led to a difficult period economically and organisationally for the agricultural worker. The late 1890s saw a brief revival in fortunes, but it wasn't until the 20th century that trade unionism was back on the agenda. Once again it arose out of the absolute poverty of the countryside and despite the braking role of the liberal politicians that helped found the new unions, workers quickly moved into battle. In addition to the intransigence of the farmers, agricultural workers face a number of issues that make it harder to organise - seasonal and temporary labour; (at the time) tied cottages and so on. But Groves shows how the union was able to over come these and build a mass base.

The 1920s brought economic decline and collapse in wages after the UK government abandoned its support for agricultural post World War One. But the workers fought back with a major strike in East Anglia in 1923 that helped to stem the losses. It seems that agricultural unions played little or no role in the General Strike that closely followed this, at least according to Groves' account. The 1930s were the "lean years" and the union fought a rearguard action through the Labour Party to try and gain better conditions for the workforce. Labour in the 1920 and 30s played a dirty role in betraying the hopes of its working class base, and agricultural workers suffered more than most. The final chapters then are Groves' account of the small gains they did make and the impact of World War Two.

Interestingly, Groves' radical politics come out at the end when he comments on the limitations of agricultural trade unionism in the context of capitalist farming, echoing Marx's writings on the metabolic rift.
But it would be wrong to leave the impression that the NUAW [National Union of Agricultural Workers] as a whole has yet expressed its final opinion on the future of Britain's agriculture. So far, it strives against capitalist agriculture only to get better conditions for its members, it seeks adjustment rather than drastic change. This, however, puts the NUAW in a halting place, a half-way house, untenable in modern conditions. Not only does this leave the status of the farm worker unchanged; it also leaves untouched the fundamental unsoundness of present-day agriculture. For capitalist industry and agriculture broke the essential social and individual relationship between man, his work and community life, and the land, which was the basis of the oldest subsistence farming. The freeing of land and labour from exploitation and destruction is only possible if it purposes to restore men's co-operative relationship with the soil.
Related Reviews

Lindsay & Groves - The Peasants' Revolt 1381
Horn - Joseph Arch
Marlow - The Tolpuddle Martyrs

Thursday, July 13, 2017

Fred Archer - A Distant Scene

Fred Archer was a celebrated author and farmer who documented the lives of the people of the small village of Ashton in the Vale of Evesham. This, his first book, sparked a large number of others until his death in 1999. Born in 1916 the backdrop to Archers' life was the enormous changes that overtook the English countryside between the wars and in particular after World War Two. His books are somewhat whimsical - they deal mostly with the personalities of the village and how Archer remembers them. As such its easy to read the books as accounts of old-fashioned sayings, humour and advice; or to focus on Archers' complaints about the decline of rural skills, the replacement of horses by engines, and the wider social changes in the village.

The danger is, of course, that the reader ends up romanticising of the countryside and the lives of those that live there. 20th century rural life was much better for the working population of the countryside. But it was still a life dominated by low pay and poverty. Reading between the lines of Archers' book you get a sense of a strict hierarchical life, and on occasion you get hints of the poverty behind the characters. Archer himself was a hardworking man who turned his hand to all of the agricultural labour there was. Readers looking for descriptions of how haymaking proceeded or the art of ploughing with horses, will find plenty of that here.

There are the occasional hints of wider subjects. For instance, Archer recalls (probably in the late 1920s) older labourers reminiscing about the arrival of Joseph Arch to speak to them, from the back of a waggon, about the need for a trade union - this would likely have been between 1872 to 1875. These moments left a lasting impression on communities dominated by poverty and long hours of work.

I was also struck by the chapter detailing the workers who came from Birmingham and other towns and cities to pick peas every year. These weren't itinerant labourers, though those did exist, but workers from the industrial towns whose "holiday" in the sun was a weak picking peas and drinking in the local pub.

Archer himself was from a better off family, his dad working closely with Mr. Carter, the big farmer. In fact Archer refers on occasion to going away on holiday, which must have been remarkably unusual for the majority. A Distant Scene then is worth reading, not just for its humour and carefully written descriptions. But also because it portrays a wider agricultural community in transition.

Related Reviews

Thompson - Lark Rise to Candleford
Kerr Cameron - The Ballad and the Plough
Whitlock - Peasant's Heritage
Bell - Men and the Fields

Monday, July 10, 2017

R.S. Attack - John Clare: Voice of Freedom

The poet John Clare (1793-1864) was a remarkable figure. Coming from a poor labouring family in Northamptonshire where, despite his families poverty he had a limited education and then continued to teach himself. Fascinated by poetry at a young age he briefly became celebrated in his own time, but it was only decades after his death that his true worth was understood. Much of his life was spent working low paid agricultural jobs or unemployed and financial concerns were a constant worry - like the majority of the English population at this time.

In this short biography, R.S. Attack describes Clare as "one of England's foremost nature poets" and a "self educated genius", but the main thrust of her book is to locate Clare at the heart of the social changes taking place in the English countryside during his lifetime. Clare was fascinated by the natural world and the people of the small rural community he lived in. When, later in his life, he was forced to move to a new home funded by one of his patrons, he described the process as "flitting" and it clearly contributed to his mental health issues. But Clare was unable to separate his poetry about people, nature and places from what was happening to the countryside and its communities.

Ah, cruel foes with plenty blest
So ankering after more
To lay the greens and pastures waste
Which profited before
Poor greedy souls – what would they have
Beyond their plenty given?
Will riches keep 'em from the grave?
Or buy them rest in heaven?

These changes were the enclosures of the common lands that the labouring population of the countryside relied on. Their destruction led to impoverishment on an enormous scale. The disposed populations became rootless and homeless, often ending up in the cities as factory fodder, or poverty stricken reliant on temporary and low paid work.

It is this that drives Clare's poetry and gives him his emotion. Yet it was this side of him, Attack argues, that was deliberately kept out of public view. His political poems (though as Attack points out, Clare did not seem himself as "political") where never published. His non-political poems were sometimes very popular, partly because Clare was seen as unusual - the "peasant poet". Despite this popularity Clare rarely received any money, and relied on a number of wealthy patrons.

Clare's popularity dropped and he was never able to regain his earlier success, though his poetry went from strength to strength. Ironically, as Attack argues, had Clare's political poetry been published it would likely have found a receptive audience in the highly charged atmosphere of the 1830s. The struggle for reforms was growing, as were the early battles of the agricultural trade union movements. In about 1827, Clare wrote by way of introduction to his poem The Parish what motivated him:
This poem was begun & finished under the pressure of heavy distress with embittered feelings under state of anxiety & oppression almost amounting to slavery - when the prosperity of one class was founded on the adversity & distress of the other - The haughty demand by the master to his labourer was work for the little I chuse to alow you & go to the parish for the rest - or starve - to decline working under such advantages was next to offending a magistrate & no opportunity was lost in marking the insult by some unqualified oppression. 
Clare is thus the voice of those whose lives were destroyed by enclosure, but also those that remained working in the  countryside. Paid poverty wages, exploited and downtrodden by the employers and authorities. Clare's own parents were only saved from the workhouse by the benevolance of publishers and friends. He worried constantly about rent arrears and poverty, and this probably was part of the decline in his mental health. Clare spent the last 23 years of his life in an asylum, though he seems to have a relatively comfortable life there. During this period he wrote some of his best poetry, though it was also his least political.

Clare's life reminds me a little of his contemporary poet Percy Shelley. They were hardly of the same class, though they shared a radicalism, and neither's radical poetry was really to see the light of day until long after they had died. Shelley's radicalism went much further than Clare's. But today Clare's poetry deserves recognition again. Not just for the beauty of his words, but because, as the author points out, the "consequences of the enclosure movement" remain with us, and there is still a battle for justice and equality to be won.

Related Reviews

Foot - Red Shelley